
"Как собака возвращается на свою блевотину" (№ 52) из "Лос Капричос" Франсиско де Гойи
Like a Dog Returns to its Vomit (No. 52), from Francisco de Goya's 'Los Caprichos'

Like a Dog Returns to its Vomit (No. 52), from Francisco de Goya's 'Los Caprichos'

Like a Dog Returns to Its Vomit No. 64 (from the series Francisco de Goya's 'Los Caprichos')

Like a Dog Returns to Its Vomit No. 77 (from the series Francisco de Goya's 'Los Caprichos')

A Woman and two Boys by a fountain - a sketch

Like a Dog Returns to Its Vomit No. 24 (from the series Francisco de Goya's 'Los Caprichos')

Like a Dog Returns to Its Vomit No. 40 (from the series Francisco de Goya's 'Los Caprichos')

Los Proverbios

Queen Maria Luisa de Parma and the infante Francisco de Paula: a souvenir of Goya

Portrait of a young boy, thought to be the Infante Francisco de Paula of Spain (1794-1865), bust-length

Lo que puede un Sastre (Planche 52 issue de Los Caprichos) (Harris 87)

Portrait of a Spanish nobleman, half-length, wearing a blue and white sash and medals

Los Desastres de la Guerra: Two plates (Harris 201 & 202)

Two plates from La Tauromaquia (D. 240, 242; H. 220, 222)

Portrait of a lady, full length, wearing a silk Mantilla with a Peineta, holding a fan, standing beside a column.

Despacha que Dispiértan, from Los Caprichos (H. 113)

Tauromaquia: Sixteen plates (Harris 225-234, 236-7, 240, 243, & 245-6)

'G is for Francisco Goya'

Portrait of a young boy, standing, three-quarter-length, in a blue suit with brass buttons

Los Caprichos: four plates (Harris 95, 100, 101, 105)

Portrait of a María del Rosario Fernandéz, called 'La Tirana' (1755-1803), small full-length, in a pink dress

Los Caprichos: Four plates (H. 49, 64, 91, 108)


Head of a woman, traditionally identified as the Duchess of Alba

Three Majas on a balcony