
Учитесь отдавать дань уважения площади
Study for Homage to the square

Study for Homage to the square

Orange Façade

Homage to the Square: Restrained Glow

Homage to the Square
![Josef Albers — Дань уважения площади [Начинается ночь]](https://s3.regru.cloud/exponat/christies/lots/cmn5uhcht11p901mvsu89ijz5/0-a144ab2b-389e-4beb-bed4-fb31e410aa88.jpg)
Homage to the Square [Night Starts]

Light Green Front

Study for Homage to the Square: Towards Autumn

Ten Variants : three plates (Danilowitz 173)

White Line Squares : one print

Homage to the Square: Dimmed Look

Homage to the Square: Pointed Call II
![Josef Albers — R-I d-1 [Дань уважения площади]](https://s3.regru.cloud/exponat/christies/lots/cmn5ugecu11or01mvqd0maw4y/0-13c38ca2-565b-413c-9b61-a7250eca4277.jpg)
R-I d-1 [Homage to the Square]

Study for Homage to the Square: Either Or

Nacre, from Soft Edge--Hard Edge (Danilowitz 165.3)

WEG IV, from White Embossing on Gray

White Embossing on Gray : Three Plates (D. 204.6, 7 and 10)

Blue Reminding (D. 168)

Nacre, from Soft Edge-Hard Edge

The Critic and the Visual Arts (D. 166)
Porta Negra, from Soft Edge-Hard Edge (Danilovitz 165.5)

Interaction of Color , Yale University Press, New Haven and London, 1963

Arctic Bloom, from Soft Edge--Hard Edge (D. 165.8)

Contra (Danilowitz 112)
White Lines Squares (Series I) : IV (D. 171.4; G. 5)